Four doors. One pull.
Close, convex reeds run the full height of the case, across the front and round both rounded ends. Their lower ends make a soft scallop above the plinth.
Two flat doors meet at the centre. Each has a wooden half-oval at the seam, so the two meet as one split oval pull, as on the Vitorchiano nightstand.
The rounded ends are doors too: curved, reeded and without pulls, so you see them only by their seams.













